Matt C. White – Ursa | A psychedelic journey where repetition becomes resilience

Matt C. White opens a new chapter of his solo career with Ursa, the first single from his upcoming album The Flood. Rather than relying on immediate impact, the Brooklyn-based songwriter builds a hypnotic piece around repetition, gradually expanding a motorik pulse, fuzz-drenched guitars and psychedelic echoes until they erupt into a powerful, abrasive finale. The song unfolds like a slow-burning journey where every repeated phrase deepens its emotional and sonic intensity.

Inspired by the idea of an endless pursuit, Ursa uses mythological and cosmic imagery to reflect on memory, identity and the cycles that shape human existence. Hunters, stars and wounds merge into a symbolic landscape where survival becomes inseparable from self-discovery. The line “You can’t kill the soul with an arrow” captures the emotional core of the track, suggesting that while the body may be wounded, the essence of a person remains beyond the reach of violence.

Motorik rhythms and expansive psychedelia

Blending alternative rock with psychedelic rock, krautrock, garage rock and stoner rock, Ursa favors atmosphere over conventional song structure. Saturated guitars, analog-style echoes and repetitive rhythmic patterns create an immersive soundscape that grows organically, allowing tension to build until it reaches a cathartic explosion.

A cycle without beginning or end

The title references the Bear constellation, reinforcing the song’s vision of existence as a circular journey guided by the sky. The recurring phrase “I end where I begin” transforms time into an endless loop, while images of blood, leaves, stars and arrows mirror the protagonist’s internal struggles through the natural world. Musically, that same idea unfolds through an ever-expanding progression that finally dissolves into waves of distortion, turning repetition into a path toward transformation.

H. EDWARDS: "Sparks of Light", Folk, Vulnerabilidad y el Arte de Abrazar el Error | Entrevista – R+

Nos enlazamos a Santiago con Hernán Edwards para hablar de "Sparks of Light", un álbum que nace como proyecto paralelo a su banda Los Borne y que explora lo íntimo, lo acústico y lo orgánico. Hernán nos cuenta cómo grabó el disco en su casa, dejando los errores como parte de la honestidad, y cómo el duelo por la pérdida de su madre lo llevó a buscar la luz en medio del túnel. También hablamos de su rechazo a la perfección digital y de la vulnerabilidad como motor del rock. Una charla sobre autenticidad, sanación y conectar corazón con corazón. https://open.spotify.com/intl-es/album/2NUN4oE1NSpuKUslqe6Trqhttps://www.youtube.com/watch?v=wcw9xzYwPf4https://www.instagram.com/h___edwards_music