Johnny Goodtime – “Johnny Goontime” | The devil who comes back every night

Alcohol, pills and another night beginning again: “Johnny Goontime” turns excess into a grotesque caricature where compulsion takes the shape of a devil that cannot be ignored. Johnny Goodtime builds a garage rock and noise rock narrative with a cowpunk attitude, using dark humor, provocation and deliberately vulgar energy to portray a pattern the protagonist recognizes but cannot seem to break. At its center is a simple contradiction: the body tries to resist while the mind keeps giving in to the pull of excess.

The demonic figure shifts that conflict into a character who returns every night. Rather than functioning only as an external presence, the devil can be read as a representation of whatever draws the protagonist back toward a routine they know they should leave behind. The repetition of “every night” turns the behavior into ritual and removes any sense of resolution. Exaggerated humor does not necessarily make the subject lighter; instead, it transforms it into something absurd and cathartic, allowing frustration, desire and loss of control to exist alongside a sense of fun.

Noise, attitude and an outlaw spirit

The combination of garage rock, alternative rock, noise rock and cowpunk gains its force from its rawness. Repetition and confrontation create a sense of immediacy, while the rougher texture reinforces the provocative character of the lyrics. The image of a “cowboy looking for a fight” extends that world into a barroom, frontier-like aesthetic built around defiance.

A ritual that always returns

The devil becomes the embodiment of an impulse the protagonist tries to fight without ever fully escaping. The song turns that internal struggle into spectacle, then breaks its narrative near the end to introduce the Goodtime Band, bringing the story back onto the stage. That gesture reinforces the sense of performance: self-destruction, humor and excess ultimately become part of the show.

ENERGY WHORSE: "Invisible", Conciencia Social, Cuatro Versiones y el Poder del Sonido | Entrevista – R+

Nos enlazamos con Frank de Energy Whorse para hablar de "Invisible", un EP que explora la desconexión social y la invisibilidad de quienes nos rodean, presentando la misma canción en cuatro versiones: original, orquestal, lo-fi y una más. Frank nos cuenta cómo su experiencia en la música electrónica underground se fusiona con la visión artística de Carrie Schoenfeld, y cómo este proyecto busca concientizar sobre el trato hacia los demás. También nos adelanta su próximo sencillo "Army of the Insane". Una charla sobre empatía, experimentación sonora y arte con propósito.https://open.spotify.com/intl-es/album/3VDZbctd49yrqCWHYQl6iWhttps://www.youtube.com/watch?v=_OnLXUWmJ9Uhttps://www.instagram.com/energywh0resband/https://energywhores.com/home