
“Todo resuena” exists in a space where electricity, decay, and resonance take on an almost physical presence. Concepción Huerta brings together magnetic tape processes, Buchla synthesizers, feedback, and analog manipulation within a piece shaped by Experimental Noise and Harsh Noise Wall aesthetics. Inspired by Daphne Oram’s ideas surrounding sound and memory, the composition relies on altered repetitions, oscillations, and distortion that continuously shift the listener’s sense of time and recollection.
The work reflects on fragility, erosion, and permanence through an abstract and deeply sensory approach. Every magnetic fluctuation and sonic variation reshapes the feeling of presence, leaving the audience suspended between contemplation, disorientation, and material deterioration. Rather than following a conventional narrative, Huerta places sound itself as physical matter in constant transformation, merging technology and the body into the same resonant space. As part of No Queda Nada, Todo Resuena, the release reinforces her artistic focus on perception, noise, and emotional memory.
Experimental Noise and physical resonance
Concepción Huerta intertwines magnetic tape, distortion, and analog processes within a sound experience centered on perception and sonic decay.
Harsh Noise Wall and spectral memory
“Todo resuena” reshapes the relationship between time, sound, and recollection through dense textures, oscillation, and persistent atmospheric tension.
Lxs invitamos a escuchar nuestro podcast de entrevistas:
LESEL: "528", Amor, Frecuencias y Música Con Conciencia | Entrevista – R+
- LESEL: "528", Amor, Frecuencias y Música Con Conciencia | Entrevista
- ST. PANTHER: "East Side Girl", Comunidad, Identidad y Soul en Los Ángeles | Entrevista
- ANÍS: "Si Dejo de Comer", Vulnerabilidad, Catarsis y el Malestar Como Síntoma Social | Entrevista
- MAYITA: "Abracadabra", Magia, Ancestralidad y Unificación | Entrevista
- H. EDWARDS: "Sparks of Light", Folk, Vulnerabilidad y el Arte de Abrazar el Error | Entrevista
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