Kikù Hibino x Merzbow x Patrick Shiroishi – saxxxrum | noise / collision, body, and saturation

This is not a track to observe—it’s one to endure. In “saxxxrum,” Kikù Hibino, Merzbow, and Patrick Shiroishi open with a saxophone that bursts in abruptly, only to be overtaken by an overwhelming field of noise that reshapes it in real time. There’s no conventional narrative; instead, the piece unfolds as a space of constant friction between organic expression and abrasive intensity. At a certain point, intensity stops being a feature and becomes the environment itself.

Positioned within noise and harsh noise wall, the track merges instrumental improvisation with extreme textural density. The saxophone acts as a fleeting anchor, gradually dissolving into a saturated sonic surface that alters its role. The result is a physical listening experience, where confrontation and fascination exist simultaneously.

Saturation as physical impact

A soundscape felt as much as heard.

Organic vs. abrasive tension

A dialogue where the sax is absorbed into noise.

VALENTINA PÁEZ: "Cerrar los Ojos", Poesía, Autogestión y la Música Como Otra Mirada | Entrevista – R+

Nos enlazamos a La Plata con Valentina Páez para hablar de su álbum debut "Cerrar los Ojos", un trabajo que explora la poesía y la introspección. Valentina nos cuenta cómo sus primeras canciones fueron reinterpretadas, cómo la letra es el centro de su proceso y los retos de ser música independiente. Una charla sobre autogestión, sensibilidad y la necesidad de crear.https://open.spotify.com/intl-es/album/7sLqiDUalaUzJHdfa02x9rhttps://www.youtube.com/watch?v=WNb_2DDw8-Qhttps://www.instagram.com/valentinapaezz/?hl=eshttps://www.tiktok.com/@valentinapaezzhttps://linktr.ee/ValentinaPaez